Choir Information
Performance Information
Daniel Pinkham, Organist
Edmund P. Allison and Barbara A. Connolly, Assistant Conductors
Recording Information
It is almost certain that the recording was made in the Sanders Theatre, given the concert performance referenced below in March 1953 that features the same music and soloists. However, this has not been confirmed. Inspired by Christopher Wren’s Sheldonian Theatre in Oxford, England, the Sanders Theatre is famous for its design and its acoustics.
Release Information
Label includes “Use 1 mil stylus, 6 grams pressure, NAB equalisation, Copyright 1953 Cambridge Records, Cambridge 39, Mass. U.S.A.”
Cover includes “NAB equalisation, Copyright 1953 by Cambridge Records, P. O. Box 125, Cambridge 39, Mass. Use 6 grams stylus pressure.”
The cover contains the following: “NOTE: On this record, the organ pedal tones have been recorded at their normal relative intensities. The use of a highly compliant pickup cartridge in a non-resonant arm is recommended.”
The recording is referenced in World’s Encyclopaedia of Recorded Music 1952 3rd Supplement (1953-1955)
Tracklist
Chansons
A1 Mon Coeur se Recommande a Vous – Orlandus Lassus (1532-1594)
A2 Nous Voyons que les Hommes (1557) – Jakob Arcadelt (1514? – after 1557)
A3 Petite Nymfe Folatre – Regnard (XVI cen.)
A4 Bonjour, mon Coeur – Orlandus Lassus (1532-1594)
Trois Chansons de Charles d’Orleans (1908) – Claude Achille Debussy (1862-1918)
A5 Dieu! Qu’il la Fait Bon Regarder!
A6 Quant J’ai Ouy le Tabourin
A7 Yver, Vous N’Estes Qu’un Villain
Four Motets for Voices and Continuo (1937) – Leo Preger (1907-)
Written for the Harvard Glee Club and the Radcliffe Choral Society
B1 Laetentur coeli
B2 Verbum caro
B3 Exsurge Domine
B4 Dextera Domine
B5 Benedictus from Missa: O admirabile Commercium – Giovanni Pierluigi da Palestrina (1526-1594)
B6 Ave Verum Corpus, K. 618 (1791) – Wolfgang Amadeus Mozart (1756-1791)
B7 Miserere – Gregorio Allegri (1580-1652)
Online References
Physical Archive Details
Artwork & Liner Notes






Media Samples
A full digital restoration of this recording has been completed by miserere.org and will be available soon.