HomeDiscography1949 – Virginia Military Institute Glee Club

1949 – Virginia Military Institute Glee Club

“The VMI Glee Club”

Issue type Original release with no significant reissues listed in the Discography

Presently the earliest known recording of any version of Allegri’s Miserere. Also the earliest recording identified of the edition for male voices published as part of the Harvard University Glee Club Collection by E. C. Schirmer Music Co in 1922.

The story of how the VMI Glee Club visited the RCA Victor Studios in New York to make the recordings for this album is well documented in contemporary articles published in the student cadet newspaper – The V. M. I. Cadet – and forms the basis of one of the research projects that miserere.org is working on for publication in 2025.

Choir Information


The VMI Glee Club originated in the 1930s from a group of cadets who gathered to sing on the stoops of VMI’s barracks. Among this group was Lt. Colonel Herbert Nash Dillard, who in 1934, then a first class-man, organised the group as “The VMI Glee Club”.

Performance Information


Piano accompaniment by Cadet W. C. Dresser

Recording Information


Release Information


Tracklist

The “album” consisted of 4 78rpm red vinyl discs.

SIDE 1: VMI Spirit (Bowering)
SIDE 2: Stouthearted Men (From “New Moon”) (Sigmund Romberg) *
SIDE 2: Tutti Venite Amati (Giovanni Gastoldi)
SIDE 3: It ain’t necessarily so (From “Porgy and Bess”) (George Gershwin) – Cadet Clarence Redman, Bass *
SIDE 4: Pilgrim’s Chorus (From “Tannhäuser”) (Wagner) *
SIDE 5: You’ll Never Walk Alone (From the musical production “Carousel”) (Richard Rodgers) *
SIDE 6: Carry me back to Old Virginny (James A. Bland) – Tenor Solo by Cadet Rawles Fulgham *
SIDE 7: Adoramus Te (Palestrina)
SIDE 8: Miserere me [sic] Deus (Gregorio Allegri)

* Piano accompaniment by Cadet W. C. Dresser

Physical Archive Details


Artwork & Liner Notes

Media Samples

Listen to the VMI Glee Club sing Allegri’s Miserere, digitally restored from the original 78rpm discs by miserere.org:

You can view our full digital restoration of this album on it’s own page here.