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1973 – Fordham University Glee Club

Whereas little is known of Fordham University Glee Club’s first recording of the Miserere, by contrast this recording at the Glee Club’s 50th Annual Concert in 1973 is well documented, and has been preserved and made available by the present Glee Club. The Miserere is presented in a section of sacred music alongside works by Perotin, and a rousing performance of Hassler’s ‘Cantate Domino’. Later pieces in the concert include some fine close harmony singing – especially ‘Mr Sandman’ by the “Ramblers of Rose Hill”

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Martindale Sidwell Choir cover

1973 – Martindale Sidwell Choir

A transcription of a concert by the Martindale Sidwell Choir and the Jaye Consort of Viols from 1973 in support of the Fenton House appeal. Miserere mei by Allegri, behold thou hast made my days by Gibbons, Byrd – Ne irascaris, Domine – civitas sancti tui and The seven last words by Heinrich Schutz plus an extra track by the St Clement Danes Chorale of the Malcolm Sargent arrangement of ‘de virgin Mary had a baby boy’. [Although technically a re-release, this entry has been placed at the correct position in the timeline of the Discography]

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1976 – St Paul’s Cathedral Choir

A private recording made during Evensong at St Paul’s Cathedral in March 1976, with the cathedral choir, directed by Barry Rose. The solo quartet sang from the Whispering Gallery. [ARCM]

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The Choir of Winchester Cathedral cover

1976 – The Choir of Winchester Cathedral

This second Golden Hour from Winchester again draws on the inexhaustible riches of the church music repertory to present a sample of some of the different types and styles heard in the course of the cathedral’s day to day life. [from the cover notes]

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Regensburger Domspatzen cover

1977 – Regensburger Domspatzen

A particularly fine rendition of the Miserere without abbellimenti, this pressing is much more acceptable in terms of audio characteristics than the earlier pressing in the Archive.

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Ohio State University Men’s Glee Club cover

1977 – Ohio State University Men’s Glee Club

Another outstanding Glee Club performance of the Davison arrangement for mens voices. The pedal ‘D’ in the bass in the final cadence is especially fine. We have been unable to locate the venue for this recording – please get in touch if you can help with any information.

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Christ’s Hospital Singers cover

1978 – Christ’s Hospital Singers

A fascinating recording by the A Cappella Choir of Christ’s Hospital School. The Miserere is unique in its use of a modified setting of the SATB section (the remainder mirrors Atkins), which both compresses and simplifies whilst still retaining the high ‘C’. Other features of the album include ‘Sound the Trumpet’ (Purcell), an excellent ‘Hear my Prayer’ Mendelssohn), and the school hymn ‘Praise the Lord for our Foundation’. Andrew March, the 1st treble – should be highly commended. John Shippen, who conducted the Miserere, was kind enough to share details of the recording with miserere.org.

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The Choir of King’s College, Cambridge cover

1979 – The Choir of King’s College, Cambridge

This four-disc compilation box set released in 1979 is a hint towards the more recent ‘Complete Argo Recordings’ CD box sets issued by Decca. It contains a wealth of music from King’s on the Argo label, including of course the Miserere from ‘Evensong for Ash Wednesday’.

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Tallis Scholars 1980 Front Cover

1980 – The Tallis Scholars

Next to the King’s College recording of 1963, the Tallis Scholar’s 1980 recording of Allegri’s Miserere is equally influential. In 2018, BBC Music Magazine included this recording in their list “The 50 greatest recordings of all time”.

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1980 – William Byrd Choir

Founded in 1973 by Gavin Turner, the William Byrd Choir was the first outside choir (apart from the Sistine Chapel Choir itself) to record in the Sistine Chapel, with the BBC in June 1980. Their recording, which included Allegri’s Miserere alongside works by Palestrina was broadcast on BBC Radio 3 a month later. The recording was produced by Miserere scholar Hugh Keyte.

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