Performances of Allegri’s Miserere that include the famous high ‘C’ as most commonly heard today. “Traditional” recordings in the Discography do not include additional ornamentation beyond what is included in the published score.
This second Golden Hour from Winchester again draws on the inexhaustible riches of the church music repertory to present a sample of some of the different types and styles heard in the course of the cathedral’s day to day life. [from the cover notes]
A fascinating recording by the A Cappella Choir of Christ’s Hospital School. The Miserere is unique in its use of a modified setting of the SATB section (the remainder mirrors Atkins), which both compresses and simplifies whilst still retaining the high ‘C’. Other features of the album include ‘Sound the Trumpet’ (Purcell), an excellent ‘Hear my Prayer’ Mendelssohn), and the school hymn ‘Praise the Lord for our Foundation’. Andrew March, the 1st treble – should be highly commended. John Shippen, who conducted the Miserere, was kind enough to share details of the recording with miserere.org.
This four-disc compilation box set released in 1979 is a hint towards the more recent ‘Complete Argo Recordings’ CD box sets issued by Decca. It contains a wealth of music from King’s on the Argo label, including of course the Miserere from ‘Evensong for Ash Wednesday’.
Next to the King’s College recording of 1963, the Tallis Scholar’s 1980 recording of Allegri’s Miserere is equally influential. In 2018, BBC Music Magazine included this recording in their list “The 50 greatest recordings of all time”.
A documentary about the chapel of King’s College Cambridge and its choir, directed by Philip Ledger and accompanied by John Butt (organ scholar), made by Canadian company Prometheus Productions, and first made available in the USA on VHS by Home Vision Inc.
The first of a number of recordings that include Allegri’s Miserere by the Choir of St John’s College, Cambridge, and use the new performing edition edited by George Guest in 1976. Recorded at 45rpm, the Meridian ‘Natural Sound Recording’ claims a ‘marked improvement in sound quality when it matters in the listener’s room’. Our copy of this recording is signed by George Guest.
The first published recording by the Choir of St Paul’s Cathedral to include Allegri’s Miserere.
Compilation drawn from a variety of St Paul’s Choir recordings on the Hyperion label. Programme chosen and ordered by Colin R Smith and Lucy Hayward-Warburton respectively.
Includes the ‘Missa Cantantibus Organis’ – a twelve part cyclic mass by seven composers.